After months of sweat and toil the studio is finally finished! There are a few small things left, hanging the big green curtain, a couple lights and bookshelves, but the studio is ready for recording and mixing. I purchased about 2500 books, which will be featured on several walls and will thus be changing the name of thes studio to "the Library." Pretty excited about the name change. Here are some photos of my new workspace(s)...
Main tracking room
Control Room
This is the large isolation room. (both of my iso's are far too large to call them "booths")
I inherited a turn of the century baby grand piano from a guy across the hall!
Small isolation room
The beautiful view from my control room.
As you can imagine, I am really excited about the new space and look forward to capturing hours upon hours of good music here.
Friday, November 28, 2008
Monday, November 17, 2008
Build-Out Phase Six
Thursday, October 23, 2008
Thursday, October 9, 2008
In the meantime...
Build-Out Phase Six
Build-Out Phase Five
Monday, October 6, 2008
Build-Out Phase Four
Friday, October 3, 2008
Build-Out Phase Three
Wednesday, September 17, 2008
Build-Out Phase Two
Monday, September 15, 2008
Build-Out Phase One
We have begun the build-out. We've put in floating walls for optimum sound so our neighbors don't get blasted with sound every time we set up a drum kit. All the framing and sound channel for the walls around the perimeter of the room is up and this very day the first round of sheet rocking is under way. Two layers of 5/8" sheet rock separated by Green Glue for added sound absorption. After the perimeter of the room is done they will begin framing in the isolation booths, entrance room, a large closet and the wall between the control room and tracking room. It will all be finished in two weeks (God help us).
New Studio
Sunday, August 17, 2008
the final masters are in...
Back in January I was asked to stop by the studio for the drum tracking of the band North. They were considering me as the producer of the album. The drum tracks were finished and after a few weeks of jostling a few things around the project was officially in my hands. Since then we have poured over the right instruments for the right parts and the best sounds we could get for each, not to mention a name change (we're now called Greycoats). Now, eight months later the project is finished and I am thrilled. Since this is more of an art-rock band I was able to take some production liberties and add some really interesting instruments that I have acquired over the years...
Omnichord
Stylophone
Sheng
Taisho-Goto (aka the guitarpwriter)
Bowed Bells
Wine Glasses
Spence Harp (a unique auto-harp made in Brainerd by Bill Spence)
Toy Piano
and more...
We had set a date to master the project, as every artist needs a deadline, and found ourselves frantically making final adjustments until 5am the morning of. I worked twenty hours straight that day but every lost minute of sleep was worth it, as this is easily some of my best work. We will be pushing this album as hard as we can and will even be touring in the fall with a band from California called Loquat. If you would like to hear a sample you can go to www.myspace.com/greycoats
Omnichord
Stylophone
Sheng
Taisho-Goto (aka the guitarpwriter)
Bowed Bells
Wine Glasses
Spence Harp (a unique auto-harp made in Brainerd by Bill Spence)
Toy Piano
and more...
We had set a date to master the project, as every artist needs a deadline, and found ourselves frantically making final adjustments until 5am the morning of. I worked twenty hours straight that day but every lost minute of sleep was worth it, as this is easily some of my best work. We will be pushing this album as hard as we can and will even be touring in the fall with a band from California called Loquat. If you would like to hear a sample you can go to www.myspace.com/greycoats
Saturday, July 19, 2008
real strings...
A couple weeks ago my friends Ben Rosenbush and Faith Miller came in to the studio to add the beauty of real strings to the Tim Lemmens project. They played on four songs. Two of them I had done string arrangements for, which they just played and the other two were more improvised. I love the richness that strings bring to a song. These two came in and played all over the Caitlyn Smith album Face Over Heels and I just had to ask them back again. Tim was in the holy land for a couple weeks, came back and went full speed ahead into camp season and we will be reuniting next week to finish tracking. Hope to be done mixing in August. In the meantime I have been mixing the greycoats record and couldn't be more excited. More to come...
Saturday, May 24, 2008
north... er, greycoats rather
The other album I am producing right now is a band called greycoats. Formerly known as North, the band called me up looking for someone to produce their project. They had recorded this album in it's entirety at another studio on their own and decided (after restructuring many of the songs) to take it again, this time with a producer. Since they are long time acquaintances of mine and have used me to record/mix other projects they have worked on it seemed to be a natural fit. Greycoats also found themselves in need of a bass player and I decided it was a good time in my life to step into a more serious performing group. The drums, Rhodes and piano were recorded back in January at a studio just four blocks from Two Pillars called Fur Seal. Back at Two Pillars Jon, the singer/guitarist has been tracking guitar and vocals, I tracked all the bass, their keyboard player, Titus came in and sorted through all the keyboard parts he laid down at Fur Seal and the drummer, Mike came in to play shakers, tambourine, and jingle bells. They have a song called "Spiritual," which needed some interesting rhythm tracks. We decided to record these tracks outside since it fit the feel of the song. Mike recorded the stamping of his feet on the pavement, banging a hammer on a metal pipe and dropping a handful of heavy chains on the ground in rhythm to the song. Since they had recorded many parts for the album already and wanted to utilize some of those tracks, Jon brought in a media disc filled with cello parts, marching bass drum, bells, accordion, clarinet and er-hu. The only problem was that the tempo changed on a couple of the songs. Since it was only off by 2-3 beats per minute I was able to time stretch the audio without changing the pitch and line them up. I am still surprised at how good it sounds after taking such an audio beating as time-stretching. Greycoats has more of a brit-rock feel. Imagine Morrisey singing Coldplay songs with the back up band of Sigur Ros, with the overall musical direction by Thom Yorke.
Tim Lemmens
I am in the process of producing two full records by two local artists. The first is a veteran of the Twin Cities music scene. His name is Tim Lemmens and his sound is inspired by the likes of Dave Matthews, John Mayer and Maroon5. We have been feverishly tracking everything part by part, which has allowed us to be quite picky about each musical moment that passes. His drummer Aaron and guitarist Mike both did a fantastic job. I laid down all the bass tracks and between Tim and myself we are adding various keyboard parts. I have these new API pre's that sound amazing especially combined with my two Distressors. I am finding it difficult to go to my other top notch pre's because the API's sound so pristine. The newness will undoubtedly wear off and I will give some time back to the other slightly jealous preamps. We have all the bed tracks laid and are currently and simultaneously doing Tim's vocals and adding other ear candy moments like synth, Wurlitzer electric piano, rhythmic loops, Rhodes, Hammond organ, pump organ, Casio keyboard drum beats, thumb piano, etc. Once these things are done we will focus on background vocals and the album will be ready to mix. The key ingredient to the recording success of this project is the monstrous upgrade to HD3. Good bye LE. You have run a good race but the inevitable has finally come to fruition.
Sunday, March 9, 2008
Save the Cookie - part dva (that's two in Slovak)
My girlfriend and I just returned from Slovakia. It was one part vacation, one part work. On the vacation side of it we got to see Bratislava, Vienna and Prague. The Save the Cookie album "Phantastic" has been released all over Slovakia and we spent a couple days shooting a music video for the song "My Music." I was blown away by the quality, as it is easily comparable to any high-budget music video I have seen on this side of the pond. In the video I play a big record label executive and am signing a contract with them. As I push the contract towards them a gust of wind blows all the contract papers around the room. I freeze in time and the camera will circle around me (a la the Matrix) with the papers floating through the air. It was really fun to be a part of it. We also took some time in the studio to write a new song for their next record. The song is called Sugartown and after we finished writing it I produced Monika's vocals, like I did back in August when I was there last. We're going to keep writing music from opposite sides of the world and when they are ready to record again, Monika will either fly to America to work in my studio or I will return to Bratislava. Be sure to check out Save the Cookie at www.savethecookie.eu. Hopefully the video will be available soon on their site or on youtube.
Sunday, February 10, 2008
Highway 61
We have had quite a wide range of music at two pillars lately. Last week we welcomed the bluegrass group Highway 61 into the studio for a five song demo. Bruce and I set up the majority of our mic collection to capture these guys playing in their element; all in one room together. The band consisted of four vocals, mandolin, guitar, banjo, upright bass and fiddle. In about five and a half hours this group kicked out some classic old-timey music and seemed to be thrilled with the end product. I enjoy stepping out of my comfort level to achieve great sounds for various styles and this was no exception. Another feather in the stylistic cap for two pillars.
Tuesday, January 22, 2008
filled with voices (and bodies!)...
Last week I was working on the Tiny Tree Triumph project and Brian wanted a choir of voices behind one part of the latest song "Flashlight." Several of our friends joined us and including myself we had six people singing. We multiplied our voices on several tracks so it sounded like a larger group than we really were. The background vocals turned out really great and I had to bring my camera in and snap a couple shots seeing as how this was the largest group I'd had in the studio at one time. That is... until yesterday. My partner, Bruce Balgaard, did a favor for his daughter Amanda and her Chamber Singers group and invited them in to the studio to record a whopping 23 a cappella songs. There were at one time eighteen high school students in the tracking room, easily beating the old record of six! It was really a treat to hear and capture the voices of these talented young singers in their element. We captured a beautiful natural reverb by sticking a couple of microphones out in the hallway. It sounded like they were singing in a large church. Nice to know the tracking room is big enough to record a vocal ensemble of eighteen and even nicer to know that the control room can hold the same eighteen for listening to the playback.
Saturday, January 12, 2008
beginnings of a great thing
.
My good friend Brett Mikkelson came in yesterday and began recording scratch tracks for his CD. Brett is a really gifted singer/songwriter and my soul connects with his music in profound ways. Our songwriting is quite similar making our collaboration on this recording even better. My expectation is that this project will be some of my best work. Check back in a couple of weeks to see the progress!
My good friend Brett Mikkelson came in yesterday and began recording scratch tracks for his CD. Brett is a really gifted singer/songwriter and my soul connects with his music in profound ways. Our songwriting is quite similar making our collaboration on this recording even better. My expectation is that this project will be some of my best work. Check back in a couple of weeks to see the progress!
Sunday, January 6, 2008
past projects part one...
This past fall I had the distinct pleasure of co-producing/mixing Roger Flyer's latest musical contribution to the world, "Songs Hidden in Eggs." This was an all-star cast comprised of Peter Ostroushko, Dan Newton (both from from A Prairie Home Companion), Jessy Greene (Wilco), Joel Hanson (PfR), and was co-produced by my friend Ben Kyle (Romantica). The CD was recorded at various studios around town with a vast array of different players and it was my job to take all these sounds and make one cohesive album. You never know if you like your own work until months after it is released and you find yourself popping it into the CD player and actually enjoying it instead of critiquing it!
past projects part two...
Jonathan Rundman and I have become good friends. We toured the midwest together in 2005 for the Monsters of Folk tour. We have also done a bit of studio work together. He came to my studio one day armed with an external hard drive FILLED with old songs recorded and released years and years ago and asked me to re-tool, re-track and mix many of them for a remixed, best-of CD, which was released in 2007. It got great reviews and one of the songs was featured in one of Paste Magazine's CD samplers. Since then Jonathan has been in my studio to track one full band song and has also given me several more oldie-but-goodie songs to remix. It is always a real treat to work with him.
Wednesday, January 2, 2008
Save the Cookie
For the entire month of August I traveled to Bratislava, Slovakia to write music and lyrics for and co-produce an album for my very good friends who are in a band called Save the Cookie. After returning to the states in September they continued to finish and mix the album. In December they went into a production studio and did some filming for a few of their songs. Listed below is a live, in-studio performance video of the song called "Who I Am," which features my friend Steffon (a.k.a Snoogz) who came into my studio after I returned to record an original rap. I uploaded the file to my iDisk and they inserted it into their session. It is becoming increasingly cool to me that I can record someone in Minneapolis, upload the file and have it placed in the song on the other side of the world on the same day! The other is an actual video for another song called "Great Divide." Both songs (and versions of the songs featured in the videos) are what you can expect to hear on the upcoming album. Enjoy!
Click here for the video for "Who I Am"
Click here for the video for "Great Divide"
Click here for the video for "Who I Am"
Click here for the video for "Great Divide"
Caitlyn Smith on Mtv
I produced an mixed an album last year for the very talented singer/songwriter Caitlyn Smith. I recently found out that one of the songs I produced and mixed, "Come Alive" is going to be featured on the Mtv show Newport Harbor this very evening! My first musical appearance on M-friggin-TV! Congrats to Caitlyn for getting her fine music heard all over this land... and to me too.
North at Fur Seal
Today I finished mixing a song for Brian and immediately went three blocks to another neighborhood studio called Fur Seal to help out with the new recording by the band North. I will be in and out of the studio all week doing my part to help them capture good "bed-tracks" and will hopefully be working on some of the overdubs with them as well. Great guys, great music, cool studio. Man, I love my work.
Hold On, Icarus
After finishing the Everything I Own re-mix for Jason Gray (soon to be played at a radio station near you) I began working with my friend Brian Gnecco (silent G) on his solo project called Tiny Tree Triumph. The first song is called “Hold on, Icarus” and is available for download on his myspace page (www.myspace.com/tinytreetriumph). With a limited budget we are trying to get his songs recorded as speedily as possible. Therefore he and I shared the musician duties. Brian played the acoustic and bass guitars, mandolin and sang. I played electric guitars, bell set, jingle bells and drums. One night Zach Miller was in recording for the new Put Down the Muffin record and I asked him to jump in on a snare drum part. His playing really helped the tune a lot. Zach came back in and recorded a full drum kit on our second song (Flashlight), which we are currently working on. He is a far better drummer than I could ever be and glad I didn’t have to tackle this one.
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